UKAAT (United Kingdom Association of Accordion Teachers) Teacher & Student Workshop Day RESCHEDULED FOR 25th June 2023 ROYAL ACADEMY OF MUSIC- Jazz accordionist Renzo Ruggieri will take the afternoon jazz accordion workshop

Ahoy! Sing for the Mary Rose – with Romano Viazzani -accordion- Ben De Souza -choral conductor- 4th June 2023 – by Alexander L’Estrange – presented by Farnham & Bourne Choral Society with Farnham Youth Junior Choir and Quintet

The Romano Viazzani Ensemble – Chester Cathedral – 30th September 2023 – London Tango – The Romano Viazzani Ensemble bring their unique take on tango along with traditional Argentine Tango and the Tangos of Astor Piazzolla to the wonderful setting of Chester Cathedral’s Refectory. 

London Tango Festival – 14th-16th July 2023 – With Ariel Pirotti and Bandoneon player Damian Foretic -Workshops

Top UK Jazz Accordionist Tony Compton Concert – Saturday 15th July 2023 – 14.00. Continuously active jazz accordion favourite Tony Compton is in concert this Summer with Tim Huskisson on Clarinet in Southend -on-Sea.

Romano Viazzani latest release for singer Michela Musco – A New Start – Another Paris Monday Morning – Ars Spoletium has released a second of Romano Viazzani’s compositions recorded by the wonderfully versatile singer Michela Musco. In complete contrast to the operatic style of Paris Opera Tango, this song is poppy and jazzy with some Parisian style about it.

Celtic Music for Free Bass Accordion – by Rune Cygan Barslund – (Hardback) – A fabulous new approach to playing Celtic Music on Free Bass Accordion

The long-awaited translation of Inger Murray’s book that will be invaluable for musicians and other people in the performing arts as well as those who suffer from nervousness and other exposed situations.  Psychologist Inger Murray has worked  with many professional musicians with her Mental Training for Musician workshops. Paperback 164 pages.

New jazz accordion tutor by world-renowned jazz accordionist Renzo Ruggieri translated by Romano Viazzani. ZZ Music present The Elements of Jazz.

Patrizia Angeloni – Stefano Di Loreto – Umberto Turchi – Accordion for Menotti – Nuove musiche per fisarmonica. A reinterpretation of a selected, rarely listened instrumental music by Gian Carlo Menotti (in celebration of his 110th anniversary) and new music produced by exponents of three generations of composers, how to summarize some of the most significant artistic trends of Italian composition today. At the centre, the classical accordion’s originality, as a solo instrument and in a duo and a trio.

Ivano Battiston – Patrizia Angeloni – Ivano Paterno – Accordion for Beethoven – Classical Accordion CD – Beautiful transcriptions for classical accordion of Ludwig Van Beethoven’s works

Italian Folk Collection Vol.1 – CD – 9 virtuosic pieces for accordion you can dance to- Various Artists. Nine virtuosic pieces for accordion you can dance to composed by Gianluca Bibiani!

Sanfoneiro – Various Artists – CD -Fabulous Brazilian music played by Italian accordionists and inspired by Felice Del Gaudio

Featuring artists: Massimo Tagliata, Daniele Donadelli, Antonio De Luca, Alessandro Gaudio, Davide Fasulo, Davide Salvi, Antonio Stragapede, Ruggero Passarini, A.Giffoni, Athos Bassisi

London Tango CD – The Romano Viazzani Ensemble – Now available and also downloadable on Spotify, iTunes and other platforms. The London Tango album has been released but the launch concert was postponed until further notice due to Covid19

Francesco Marano – The Accordion – Organological evolution and literature – Translated by Romano Viazzani. 89 pages x 2 (178 total) – pages – softback. A new book published by Zaccaria Editore tracing the accordion’s history and development along with an insight into the different international “schools” of accordion composers.

Paolo Picchio – The Classical Accordion and its Repertoire – Translated by Romano Viazzani. A new book published by ZZ Music in conjunction with UKAAT (United Kingdom Association of Accordion Teachers). The long-awaited translation of Paolo Picchio’s book that will be invaluable for composers wishing to write seriously for the accordion and for accordion teachers and students wishing to deepen their understanding of the kind of repertoire that is taught in conservatoires all over the world. 342 – pages – softback