Stunning new Classical Accordion CD by Claudio Jacomucci – Orpheus’ Ballad – A counterpoint of ancient and contemporary music

Claudio Jacomucci - Orpheus' Ballade - A counterpoint of ancient and contemporary music - cover

Claudio Jacomucci hits the spot again contrasting ancient and modern for classical accordion

Jacomucci is nothing if not consistent in his production of excellently researched and interpreted music. He is not only a master performer but a wonderful teacher and author of books on contemporary accordion development and mastering accordion technique. In this new album he hits the spot again with this album of mostly transcriptions from works originally intended for other instruments or groups of instruments. His interpretation of the 8 contrasting pieces in the suite by Claudio Monteverdi makes one wonder why not more music from the Renaissance isn’t played on the accordion. There is so much energy, sensitivity and dynamic shaping in this interpretation that it is as if this music was written for the instrument. There are two original works for classical accordion too, Passing by Martin Lohse and one which closes the album by Jacomucci himself dedicated to his dear canine companion, Lupo (“Wolf”) who was by a strange twist of fate killed by a wolf. The Lohse contrasts sympathetically with the Monteverdi that precedes it and its delicacy sets us up beautifully for the three Scarlatti sonatas that follow it.  Jacomucci is a master of Scarlatti. He builds up slowly with the mournful K87, then up a notch to the K380 and ending with the scintillating K17 which show remarkable virtuosity both in technique, delicacy and in the detail of his ornamentation and dynamic shaping. His thrilling fast passages are like whizzing Catherine Wheels spinning off a rocket in the night sky.

Wonderful to see a work by British composer Elgar in the shape of Nimrod from the Enigma Variations, the piece which in the UK has associations with remembrance and reflection on the dead of two world wars for many. The English theme is continued in the English Nightingale by Van Eyck from the early Baroque period, an unusually descriptive piece for the period which demonstrates great mastery technique and dynamic control in the mimicking of birdsong. The same amazing control and detail is demonstrated in Scodanibbio’s 20th century piece originally for violin and cello which follows next. In an atonal piece such as this Jacomucci applies the same detailed approach as one would to a Bach fugue to really make the piece really work so that the many interweaving lines produce not only a texture but have complete integrity as if played by individual instruments; not certainly the most natural thing to produce on a instrument which in this case, at times, is behaving like three separate instruments but being powered by only one set of lungs – the bellows. Jacomucci propels us straight back to the late Renaissance for John Dowland’s lamenting Lacrimae Antiquae transcribed by Jacomucci, like most of the pieces on the album, from a score which, in this case was in 5 parts and recalls the sonority of the yet to be invented Harmonium coupled with the expressiveness of the viols of the period. Ligeti is up next and a transcription from works for organ here scored for two accordions, with is mass of sound surrounded by a host of trills and other devices recall the spinning atomic particles around a central solid body rather echoing, albeit in a different way the spinning Catherine Wheels of the earlier Scarlatti. Next up is some rather more obvious “counterpoint” if the form of Bach’s Contrapunctus XIV and here Jacomucci’s clear mastery of the form echoes his earlier masterpiece album of Johann Sebastian Bach. And so to the last piece in the album, the aforementioned Ballad for Lupo, a fitting end to an album which speaks of the emotional end of the life of a dear family pet and composed by Jacomucci himself. Needless to say this album will be one for the collector and student alike and is played with all the flair and good taste that will delight both. Jacomucci places works, from the Renaissance and Baroque period through to the Romantic and Contemporary eras, in counterpoint with each other and the concept works brilliantly.

 

Monteverdi: L’Orfeo, Instrumental Suite (1607*) Toccata, Ritornello I, Ritornello II, Sinfonia I, Sinfonia II, Ritornello III, Sinfonia III, Moresca.

Martin Lohse: Passing: Allegro con passione, sostenuto (2012)

Domenico Scarlatti: Sonatas B minor K87, E major K380, F major K17 (1738-1742*)

Edward Elgar: Enigma Variations OP.36 Nimrod (1898*)

Jacob Van Eyck: The English Nightingale (1649*)

Stefano Scondanibbio: Escondido (1990/2018*)

John Dowland: Seven Tears Lachrimae Antiquae (1604*)

Gyorgy Ligeti: Coulée from Two etudes for organ (1969*)

Johan Sebastien Bach: Die kunst der fuge BWV1080 Contrapunctus XIV (1749*)

Jacomucci Ballad for Lupo 2018

 

*transcriptions by Jacomucci

Claudio Jacomucci - Orpheus' Ballade - A counterpoint of ancient and contemporary music - inside cover

Ben de Souza in Concert – Friday 15th July 2016 – 19.30 – Reading, Berkshire

Ben de Sousa with his new Beltrami CVC5

Ben de Souza  – Accordion Recital

Royal Academy of Music student Ben de Souza presents a concert of original and transcription works for the accordion, including composers such as Bach, Scarlatti, Trojan, Zolotaryov and Angelis.

Ben will be joined in the second half by soprano Elly Broomfield, a fellow Royal Academy of Music student, for an exciting programme of music by Handel, Gounod, Haydn, Purcell and Piazzolla.

Do come along for what promises to be a great evening’s entertainment!

This concert is to raise funds for building work at the church.
Tickets available on the door only.
Adults: £10
Students: £7
Children: £5

Wesley Methodist Church, Queens Road, Reading, Berkshire RG1 4BW

Friday 15th July 2016 – 19.30 

Parking available at the church and nearby roads and car parks.
The church is a 10 minute walk from Reading station (direct rail links to London Paddington and Waterloo).”

Royal Academy of Music Events for May – Accordion Showcase and Masterclass

Accordion close up

Accordion Showcase

Iosif Purits playing with percussionist in Lindberg's Metalwork

 

 

 

 

 

 

 

 

 

Thursday, 19th May 2016 19:30, David Josefowitz Recital Hall

Always great to keep up with how well the accordion students at the Royal Academy of Music are doing and watching them develop in to fine young artists. It is now 30 years this coming September that the accordion was introduced there.The Academy was the first British conservatoire to introduce teaching for classical accordion as a principal study. Owen Murray has been Head of Accordion since the department was founded in 1986. Going along to support these events enable the students to play for a good size audience and I have seen concerts becoming more and more well-attended over the years which shows that there’s plenty of interest in the accordion out there.

Accordion students will play solo and chamber music works by JS Bach, Scarlatti, Trojan and Berio.

 

Tickets £7.50 (concessions £5.50) from the Academy’s Box Office: online now, telephone 020 7873 7300(weekdays 10am–4pm)

Accordion Masterclass

24th May 2016 10.00 – 17.00. Lunch 12.00 -1.00 pm. Professor Janne Rättyä. Head of accordion, Graz conservatoire, Austria

Free Admission

Owen Murray with Matti Rantenen with rising stars and ex-RAM students Milos Milivojevic and Ksenija Sidorova at last month's master class.
Owen Murray with Matti Rantenen with rising stars and ex-RAM students Milos Milivojevic and Ksenija Sidorova at last month’s master class.

 

 

Ben de Sousa Accordion Recital – Sunday 6th December 2015 –

Ben de Sousa

One of the UK’s rising young accordion talents, Ben de Sousa will be performing works by Bentzon, Trojan, Bach and Scarlatti at a recital on Sunday 6th December at Old Bluecoat School, 1 Chapel Street, Thatcham (nr Newbury) RG18 4JT.  Tickets are available on the door and are priced at £10 for adults and £5 students.  Ben de Sousa is currently studying at the Royal Academy of Music under the tutelage of Owen Murray.

Starts at 16.00.  Arrive early for cake!

Professor Owen Murray and student Iosif Purits play Piazzolla and Gordon Jacob Accordion Concertos – 5th June 2015

Owen Murray

Professor Owen Murray and one of his students at the Royal Academy of Music, Iosif Purits, along with Guitarist Chris Waddington present an evening of classical music for Accordion, Guitar and String Orchestra in the stunning surroundings of Giggleswick School Chapel on Friday June 5th 2015. Performances will include the Gordon Jacob Accordion Concerto which was rediscovered and edited by Owen Murray in 2014. The Concerto for Bandoneon and Guitar (Hommage à Liége) by  Astor Piazzolla and other works by Scarlatti, Mussorgsky and Vivaldi. An accordion concerto performance is still quite a rare event in the UK and not to be missed.

Tickets for this unique concert are free and can be reserved online at www.giggleswick.org.uk/rwt There will be a retiring collection at the end of the concert.

Further information can be obtained by e-mail rwt@giggleswick.org.uk

Giggleswick School

Giggleswick

Settle

North Yorkshire

BD24 0DE

01729 893 180

Giggleswick Concert Poster